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20170301

Welcome To The Real World


The French were all exited thinking Hollywood really, really dug Isabelle Huppert in her role in “Elle,”and that she was going to win the Oscar for best actress—they are so cute.

LOL

Welcome to the real world, suckers!!!

And what is the real world? The real world is whatever Hollywood says the real world is.

Or what the media tells you it is.

Or the political establishment and their cohorts (MSNBC, Fox News, John Steward, John Oliver, the Washington Post, The New Yorker, et cetera, et cetera, et cetera). Their name is Legion.

That said, I have no opinion whatsoever regarding who should have won best actress (considering I haven’t seen any of the movies nominated for best actress, this year, or for that matter, any, hardly at all, of the movies nominated in any category.)

I am sure Emma Stone was very good in “La La Land"—if Hollywood says so, it must be true.

Anyway, and without further ado, here is the list of the winners:

Best Picture
“Arrival”
”Fences”
”Hacksaw Ridge”
”Hell or High Water”
”Hidden Figures”
”La La Land”
”Lion”
”Manchester by the Sea”
”Moonlight”

Best Director
Denis Villeneuve, “Arrival”
Mel Gibson, “Hacksaw Ridge”
Damien Chazelle, “La La Land”
Kenneth Lonergan, “Manchester by the Sea”
Barry Jenkins, “Moonlight”

Best Actress
Emma Stone, “La La Land”
Natalie Portman, “Jackie”
Ruth Negga, “Loving”
Meryl Streep, “Florence Foster Jenkins”
Isabelle Huppert, “Elle”

Best Actor
Casey Affleck, “Manchester by the Sea”
Andrew Garfield, “Hacksaw Ridge”
Ryan Gosling, “La La Land”
Viggo Mortensen, “Captain Fantastic”
Denzel Washington, “Fences”

Best Supporting Actress
Viola Davis, “Fences”
Naomie Harris, “Moonlight”
Nicole Kidman, “Lion”
Octavia Spencer, “Hidden Figures”
Michelle Williams, “Manchester by the Sea”

Best Supporting Actor
Mahershala Ali, “Moonlight”
Jeff Bridges,”Hell or High Water”
Lucas Hedges, “Manchester by the Sea”
Dev Patel, “Lion”
Michael Shannon, “Nocturnal Animals”

Best Adapted Screenplay
“Arrival”
”Fences”
”Hidden Figures”
”Lion”
”Moonlight”

Best Original Screenplay
“Hell or High Water”
”La La Land”
”The Lobster”
”Manchester by the Sea”
”20th Century Women”

Best Foreign Language Film
“Land of Mine,” Martin Zandvliet, Denmark
”A Man Called Ove,” Hannes Holm,  Sweden
”The Salesman,”  Asghar Farhadi, Iran
”Tanna,” Bentley Dean, Martin Butler, Australia,
”Toni Erdmann,” Maren Ade, Germany

Best Documentary Feature
“Fire at Sea”
“I Am Not Your Negro”
“Life, Animated”
”13th”
“O.J.: Made in America”

Best Animated Feature
“Kubo and the Two Strings”
”Moana”
”My Life as a Zucchini”
”The Red Turtle”
”Zootopia”

Best Film Editing
“Arrival”
”Hacksaw Ridge”
”Hell or High Water”
”La La Land”
”Moonlight”

Best Original Song
“Audition (The Fools Who Dream),” “La La Land”
“Can’t Stop the Feeling,” “Trolls”
“City of Stars,” “La La Land”
“The Empty Chair,” “Jim: The James Foley Story”
“How Far I’ll Go,” “Moana”

Best Original Score
“Jackie”
”La La Land”
”Lion”
”Moonlight”
”Passengers”

Best Cinematography
“Arrival,” Bradford Young
”La La Land,” Linus Sandgren
”Silence,” Rodrigo Prieto
”Lion,” Grieg Fraser
”Moonlight,” James Laxton

Best Costume Design
“Allied”
”Fantastic Beasts and Where to Find Them”
”Florence Foster Jenkins”
”Jackie”
”La La Land” 

Best Makeup and Hairstyling
“A Man Called Ove”
”Star Trek Beyond”
”Suicide Squad”

Best Production Design
“Arrival”
”Fantastic Beasts and Where to Find Them”
”Hail, Caesar!”
”La La Land”
”Passengers”

Best Sound Editing
“Arrival”
”Deepwater Horizon”
”Hacksaw Ridge”
”La La Land”
”Sully”

Best Sound Mixing
 “Arrival”
”Hacksaw Ridge”
”La La Land”
”Rogue One”
”13  Hours”

Best Visual Effects
“Rogue One”
”The Jungle Book”
”Doctor Strange”
”Deepwater Horizon”
”Kubo and the Two Strings”

Best Short Film, Live Action
“Ennemis Intérieurs”
”La Femme et le TGV”
”Silent Nights”
”Sing”
”Timecode”

Best Short Film, Animated
“Blind Vaysha”
”Borrowed Time”
”Pear Cider and Cigarettes”
”Pearl”
”Piper”

Best Documentary, Short Subject
“Extremis”
”4.1 Miles”
”Joe’s Violin”
”Watani: My Homeland”
”The White Helmets”

Very predictably, The White Helmets won the Oscar in the short documentary category despite the film being accused by some of its detractors of being a "contrived infomercial".



Welcome to the real world!

The White Helmets, by the way, is the group to which we owe the Mahmoud Raslan's propagandistic exploitation photograph of “the boy in the ambulance” from Aleppo, circulated to intensify the drumbeat for direct U.S. military involvement in Syria.

The photograph famously (or infamously) made the rounds of main stream media worldwide, including, for those of us who watch TV-5 Monde, on well-meaning but politically naive French talk shows such as On n'est pas couché, the now overly simplistic (ever since Aymeric Caron ceased to be one of the polemicists on the program) night-show, hosted by Laurent Ruquier,



The nice thing about Hollywood and the Oscar, or talk-shows like On n'est pas couché, is that they are a useful gauge of the toxicity of mainstream propaganda.

The same thing goes for the papers. Take the Washington Post for instance, if I am curious about, say, what the next CIA's taking point might be for the day, all I have to do is read the column of David Ignatius, who will faithfully publish whatever his CIA sources tell him.

But then again, no one ever accused Davis Ignatius of being politically innocent. Or is he, now? And could he maybe just possibly be—Ah, what was that term again?—a "useful idiot"?

 

As a rule of thumb, the more naive the medium (Hollywood, a columnist or the host of a talk show), the better.

The way I look at it, if political propaganda were an intoxicating gas, well then, Laurent Ruqier would have to be the idiomatic canary in the coal mine.

Regardez comme il est beau:


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