In Case You Missed It


Her name is Polly Boiko...

And she is a hoot!

This is the kind of stuff that the Rachel Maddow of old used to do—before she sold out and morphed into the Glenn Beck of MSNBC.

It is also the kind of stuff SNL used to do back in the days, when they did not carry water for the man and had not sacrificed their soul on the altar of Political Correctness.


- RT is "funded in whole or in part by the Russian government."
- And MSNBC is owned by Corporate Media.

Now you know...

When questioned about the ads, Anna Belkina, the director of strategic development and head of communications at RT, said that "President Putin personally approved" the copy in the ads.

When asked if that was a joke, she responded that "Russians are not allowed to joke about Putin."

Sarcasm is lost on some people:



As it so happens...


I ended up here just about the same way you did, you know?

I know, right? Easy for her to say.



No point crying over Spielberg


The question is: do some people do it on purpose, or are they just simply genuinely out of touch with the reality of their times?

Or is it just their age catching up with them?

Case in point: Rely on Peter Travers for almost systematically getting it wrong, those days.

No, Peter, actually, the truth of the matter is that, "Steven Spielberg's Journalistic Thriller," The Post, could not have been less timely, as a matter of fact! Especially not in the neo-McCarthyism era we have been subjected to.

On what planet have you and Steven Spielberg been living, those past two years?

Meanwhile on planet Earth:

More here.

I know, right?

You’ve got to give it to the NSA, or the FBI, for that matter (My Samsung 5 ate my homework), for sheer brazenness.

The Post of old, that Steven Spielberg is glorifying, would have gone after a story like this. For this is what speaking truth to power meant in those much glorified times. But it looks like The Post of our era is more at ease with political propaganda and yellow journalism, and, by and large, for all practical purpose, essentially acting like a mouthpiece for the CIA, than it is with any real true investigative reporting.

"Democracy dies in darkness," not just simply a motto, insofar as The Post is concerned, it seems, but a mission statement.

As for Steven Spielberg... It is not an easy thing for me to see in an unflattering new light a figure of which I have been so fond for so many years. I find it hard (not to mention painful) to reconcile the person who gave us The Minority Report (2002) with the director of The Post (2017).

On a peripherally related matter, which just so happens to coincide with an interview of the director about his recently released film,  it is a strange spectacle, indeed, to witness "a white old man" imparting his dismissive pronouncements from the top of Tinseltown Phallocracy about the validity or lack thereof of the very legitimate voices of some 100 prominent French women artists and intellectuals who authored and/or cosigned the Anti-#MeToo Manifesto signed by Catherine Deneuve. Has Steven Spielberg even read it? Or, in this man’s opinion, are women’s voices only to be given any respect and due consideration when they happen to coincide with his own agenda or with what happens to be politically correct according to which way the wind is blowing in the current climate of Tinseltown groupthink?

For those of us more concerned with facts than propaganda, here is an extract from a full English translation of the French Anti-#MeToo opened letter signed by Catherine Deneuve published in Le Monde :

The rest of the translation along with the full list of signatories can be found here on Wordcrunch.

It is an old truism:

Man is neither angel nor beast, and the misfortune is
that whoever presume to act the angel, acts the beast.

— Blaise Pascal (1623–1662). Thoughts, 358



To LOTE vote or Not to LOTE vote


Fascinating article, here, by Shawn King, about the Atlanta Mayoral race that points to the core of an old problem, mainly—to keep in tone with the Shakespearean reference of this post subject title—that there is something deeply rotten in the kingdom of DNC: a common liberal hypocrisy which, as it so happens, is unwittingly exposed in the way the article sees progressives as a frustrating problem out of step with the “pragmatism” of the corporate owned democrat machine.

While the author attempts to make the point that “progressives” haven’t learned anything from the last Presidential election, there is, quite ironically, a case to be made here that the article itself serves, as it turns out, as a most perfect illustration of how establishment liberals and DNC apparatchiks are the ones, in fact, who are stubbornly refusing to draw the lessons from the past, not through ignorance but through willful denial, and possibly some degree of self-delusion—though the DNC apparatchiks themselves (who have been actively purging progressives from the party), no doubt, know better.

The author portrays “progressives” as unrealistically demanding perfection and as being sore losers, then goes on to state that NONE of the candidates are perfect, so that the author can encourage people to give up their ideals in a way which the author thinks is more pragmatic and guarantees the continuation of the status quo of which the author is a member.

The truth of the matter is that there was no either/or there, and neither of the two candidates deserved any support.

The vivid exchanges and comments on the thread following the article are actually more interesting than the article itself, and are pointing out to an old festering wound that is not about to go away—while the DNC stubbornly goes on refusing to even admit it is ill and out of step with the zeitgeist of our times.

The Zeitgeist is with the movement that brought Obama to power. (A movement that, quite unfortunately, Obama failed to tap into once elected.)

The Zeitgeist is with the Bernie Sanders progressives.

Clearly, where the zeitgeist is not, is with the DINOs (Democrats in Name Only) of the DNC.

I have heard the oft repeated talking point that HRC won the popular vote. Which is factually true. Equally true, however, is the fact that, if one were to exclude California (which is but only one State of the Federation) from the count, HRC, as it turns out, no longer wins the popular vote (which, by the way, is why we have an Electoral College in this country—the other states of the Federation would not take it too kindly if California were to decide for them who the next president ought to be). The bottom line is that HRC managed to lose to Trump (aka "snatching defeat from the jaws of victory") and this is no small feat and certainly nothing to brag about, and, no, I don’t think that the Russians did it!

* LOTE: Lesser of Two Evils



Squaring the Circle


Or ought Samhain to be celebrated, as some traditions would have it, on the night that the Pleiades star cluster culminate, on November 21?

Me? I am more of a traditionalist

Just waiting for the NEW MOON:



Word up it's the code word


No matter where you say it you know that you'll be heard.




It's a story that has been told many times over under many forms, from Friedrich Nietzsche’s admonition about those who would "gaze into an Abyss," to Richard Wagner’s Ring of the Nibelung or Tolkien’s Lord of the Rings trilogy, or, in more recent date, George Lucas’s Star Wars epic space opera.

Joshua Rothman really does go to the heart of it, in his September 10, 2017 brilliant analysis of IT for the New Yorker:

In the final confrontation:

Did you get that Hillary Clinton?

"What's really needed is imagination."

The acceptance of Machiavellianism is a trap.

By the same token, this is why Georges R. R. Martin is NOT "the J.R.R. Tolkien of his generation."

Game of Thrones glorifies Machiavellianism (there are those who have referred to it as Campy Machiavellian Porn) and has no spiritual dimension.



Valerian and the City of Planet Hollywood


My date (the cool girl I picked up at The Wulfshead, last Friday) and I were very, very, very lucky indeed, though we didn't know it at the time, to decide to go to the movie that night and be amongst the very few who got to see Valerian and the City of a Thousand Planets in full XD 3D at the Howard Hughes Cinemark wide screen auditorium (THE ONLY PLACE IN TOWN, and apparently, as it turns out, also possibly the only day, THE MOVIE WAS ACTUALLY FEATURED IN 3D ON A WIDE SCREEN, at the time of its release.

You can still see the movie in 3D, but, for some strange and baffling reason, well beyond my comprehension (I don't know much about Hollywood politics), you won’t find it featured on a wide screen anywhere in LA, and, for all I know, in the rest of the country either.

If I were to be pressed to speculate about this, and formulate some kind of an opinion, my guess would be that the U.S. doesn’t care much about cities of a thousand planets, all it cares about is Planet America, but that’s just my unqualified opinion and perhaps I am making too much of this—with my date being such a Francophile and me such a great fan of the Valerian and Laureline comic series, and all. What do I know?

According to an interview with Luc Besson, dated November 2016, Valerian had been scheduled for some time already to be released in IMAX on the 21st of July, and then, apparently, Dunkirk (which was shot mostly in IMAX) coveted the same date on the calendar and Valerian got kicked out of the IMAX theaters, as a result. Dunkirk also secured a quasi-monopoly on all the wide-screen theaters too (like, from what we've been able to tell, Cinemark XD and Arclight WS).

When asked, at the time, in that same interview, whether he had considered moving the release of Valerian to an other date, Luc Besson explained that they chose the date two years ago and that the movie was set to be released not only in the U.S., but everywhere else in the world already: "You can’t move just because one director comes here. So we will go 21st of July no matter what. But we are in 3D, so we have a 3D version and RealD and IMAX everywhere else in the world."

That said, it is unfortunate, in this great country of ours, that the film couldn’t be given a fair chance and got deprived of being shown in the format that does it the most justice.

One would think that in America, out of all places, the entertainment industry would not be so suppressively reductionist.

Is it naive of me to believe the world is large and complex enough to afford people more of a choice and that there ought to be more to planet Hollywood than just black and white, or the false dilemma of being made to choose between apples and oranges, or between Nolan and Besson, two directors featuring two very different kinds of movies?

Scott Mendelson at Forbes, had this to say about it:



Doesn't anyone proofread anything any longer?

I know... I shouldn't let it get to me.

Just a couple of typos in Conn Hallinan’s otherwise well-written article, Europe: the Danger of the Center.

1. First paragraph:

Ought to read: “FIVE years from now”—and NOT “six” years from now.

The next presidential election in France is currently scheduled to take place in April 2022, with a second round of voting in the following May, if no candidate wins a majority in the first round.

2. 30th paragraph:

Ought to read: "Macron’s new centrist party, En Marche!, won, but mostly due to the anti-Le Pen vote. His program of austerity, restraints on unions, and corporate tax cuts is NOT popular with everyone...”, and most certainly not "is popular with everyone."

Duh! Like…obviously!

I am sure there are more typos, but those were the most glaring ones.

Great article, otherwise, by all accounts.

The author does take the time of explaining a lot about a not so simple situation (delving into some concepts, pretty basics, I am sure, to many informed readers, and possibly not so basics to Americentric readers when it comes to Europe in general and France in particular).